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Hubert Dupont explores the secret and tortuous
paths of creative music - improvised or premeditated - with passion...
He has performed in cities
as diverse as Clusone and Palermo (Italy), Helsinki (Finland), Tallinn
(Estonia), Vancouver (Canada), Amsterdam and Groningen (Netherlands),
Liege and Brussels (Belgium), Berlin, Mainz and Cologne (Germany), Zurich,
Lausanne, Basle, Geneva (Switzerland), Vienna (Austria), Stockholm and
Malmö (Sweden), Constantine (Algeria), St Louis (Senegal), and even at the Opera of
Cairo...
His musical experience is strongly oriented
towards musical research as well as receptivity to new forms: from formal
constraints to total improvisation; from pure acoustic to pure electronic
Hubert Dupont is the double
bass player of KARTET (since 1990 with Benoît Delbecq, Guillaume
Orti, Chander Sardjoe), and the electric bass player of THÔT,
Stéphane Payen's band; in 1993 he co-founded Collectif HASK;
he led the bands ALTISSIMO (1994-99) and DECOR (1997-2000).
He performs solo, or with DUPONT T, or 'electronically'
(CRONO-CROMO, with Stéfanus Vivens)...
BIOGRAPHY
In 1981 Hubert Dupont is an engineer (graduating
from the French Engineering University, INSA, in Lyon), then a research worker
(in thermomechanical treatments of materials!), while preparing a post-master's
diploma that he never finished.... During this period,
he teaches himself guitar, learns to play Hendrix, Jeff Beck, George Benson,
John Renbourn
without worrying about the names of notes or chords!
He finally joins a Jazz School (AIMRA), buys his first double bass in
1983 and puts his guitar definitively away (except for the odd dance gig,
at the beginning - he had to eat after all!). He then attends master classes
with Bill Dobbins, Don Cherry and Nana Vasconcelos, Steve Swallow, Jean-François
Jenny-Clark, then later with Dave Holland, the Paul Motian Trio, and Miroslav
Vitous.
During
the 1980s, in Lyon, he performs with
jazz bands as well as with pop-music bands, African musicians, dancers...
He also discovers free improvised music. He then joins ARFI, La Marmite Infernale, Yves
Robert
Then there are the Jazz Festivals in Vienne and " Rive-de-Gier",
the jazz club "Via Colomès", and also the music library
where he discovers the Bibayak Pygmies (wonderful Ocora discs!) and all
kinds of jazz music.
In
1989, Hubert Dupont settles down
in Paris and immediately starts studying with J.-F. Jenny-Clark, who will
have a lasting influence on his music: an amazingly talented instrumentalist,
J.-F. Jenny Clark had a unique personal sound, an original approach to improvised
music, a great wealth of musical ideas, and thus the highest technical demands.
Hubert meets up with former friends for frequent jazz sessions and club
dates, with Allan Jones, François Théberge, Julien Lourau
and many others. In 1989, Paris is the place where modern African music
is happening, with famous bass and drums players; it's also the meeting
place for jazz musicians from all over the world, for those looking for
an original way of playing where everything is possible, everything is still
to be discovered and explored: Dave Holland and Steve Coleman are the best
examples of this.
In
1990 he meets Guillaume Orti, Benoît Delbecq, Benjamin Henocq,
and together they form a band that will be known as KARTET, and which will
spend a year in Marseilles as a resident band: this provides him with a
unique opportunity to devote himself entirely to a demanding yet exhilarating
collective research adventure
an original sound, "an adventure
of the imagination"
the wonderful drummer Chander Sardjoe joins
the band in 1996
in 2007 the fifth CD "The Bay Window" is released, on Songlines
In
1991 Hubert begins collaborating
with Quoi De Neuf Docteur (led by Serge Adam): five discs, many concerts
and becomes a very in-demand sideman; he has the pleasure of playing with
Robin Eubanks, Harold Land, Glenn Ferris, George Brown, Tommy Smith, Alain
Jean-Marie, Laurent De Wilde, Red Holloway, Deborah Brown, among others,
at the Club La Villa
But also with Steve Lacy, Stefano Di Battista, François Thuillier,
Antoine Hervé, Philippe Sellam, Jean-Christophe Cholet, Mathias Rüegg,
Paolo Fresù, Mathieu Michel, Claudio Pontiggia, Michael Arbenz, Wolfgang
Puschnig, Gabor Gado, Etienne Brunet, Louis Winsberg, François Merville,
Marc Liebeskind, Steve Potts, Yannick Rieu, Olivier Ker Ourio, David Patrois,
Vancouver Improvisers' Collective...
And Norbert Lucarain, Geoffroy de Masure, Brice Wassy, David Venitucci,
Nicolas Genest, Christophe Marguet, Pierre-Olivier Govin, Didier Haboyan,
Sébastien Texier, Daunik Lazro, Noël Akchoté, Steve Argüelles,
Hasse Poulsen; and from the Belgian jazz scene: Fabrizio Cassol, Antoine
Prawerman, Stéphane Galland, Pierre Van Dormael, Laurent Blondiau,
Michel Massot, Gianni Gebbia, Stefano D'Anna, Bertrand Denzler
In
1993, Hubert Dupont co-founds Hask
Collective with his friends from KARTET and some others, concerned by the
necessary independence of artists, from the creative process (through their
productions) to the audience... (in the manner of Arfi, M-Base, Aacm
)
. A fantastic shared tool; an Independant Republic of Hask
an 'ear
attitude' as Delbecq wrote in the fanzine " La Nébuleuse du
Hask ".
Hask participates in animating the famous club 'Les Instants Chavirés';
improvised meetings, but also bands which are going to last
In 1993 Hubert creates the children's show 'Animal Chorus' with his trio
and the Mime Daniel; in 1996 he produces the music for the cartoon 'La Taupe
et la Taupe' by Spinga and Olivier Esmein.
He
founds and leads ALTISSIMO (1994-99), with Guillaume Orti, Philippe
Sellam, Didier Haboyan, Pierre-Olivier Govin (but also Fabrizio Cassol,
Sébastien Texier) playing alto saxophones, and Christophe Marguet
playing drums,
then
DECOR (1996-2000) where he plays electric bass, with Geoffroy de
Masure (trombone), David Venitucci (accordeon), the Cameroonian Brice Wassy
(drums) and also Nicolas Genest, Stéphane Payen, Franck Vaillant.
These bands were lucky enough to record on the Pee Wee label (Vincent Mahey)
and performed at many festivals.
In
1996, Stéphane Payen founds THÔT, and asks Hubert to
play electric bass with Gilles Coronado (guitar), and Christophe Lavergne
(drums). Here again - and thanks to Stephane Payen's special music and the
collective playing style that accompanies it - the exuberant band lives
out its unbridled adventure before a large audience. The original band is involved in Thôt Agrandi, then Thôt Twin, then performs with slammers Felix and D'...Then Thôt joins Fode Diop Sabar Group and Ivan Ormond and creates the SABAR RING (premiere in St Louis du Senegal, then Banlieues Bleues Festival 2007...)
Outside
jazz, Hubert performs with SABREEN, the group of the Palestinien
singer Kamilya JUBRAN, with Nabil KHALIDI (oud / Maroc), Toufic FARROUKH
(sax / Lebanon), Pierre RIGOPOULOS (zarb)...
In
1998-99, he explores with his electric
bass the possibilities of new improvised electronic music (different effects,
sampler...), and organises the Festival de la Nébuleuse Hask at the
Club Le Cithea, the first of a series, until Hask Collectif is disbanded
in 2004.
Since 2000 he has been
performing or recording with the following bands:
- HATI,
Nicolas GENEST's band (trumpet, flugelhorn) with Prabhu EDOUARD and Philippe
FOCH (tablas, perc.), Michel GUAY (sitar), Malik MEZZADRI (flute), Stefanus
VIVENS (Harmonium, keyboards).
- David
Venitucci's Trio (accordeon), with Antoine Banville (drums)
- The Cameroonian drummer Brice WASSY's KÙ JAZZ GROOVE:
with Hervé SAMB (guitar), Jean-Jacques ELANGUE (sax), Don-Dieu DIVIN
(piano), Guy NWOGANG, Denis TCHANGOU, XUMO (perc., drums)
- The singer MARJOLAINE
REYMOND : with Yvan ROBILLIARD (piano) & Eric Groleau (drums)
-
Elie Maalouf Oriental Jazz, of the lebanese pianist, with
Youssef HBEISCH (perc./Palestine), Joshua LEVITT (ney, sax / Israël)...
- AL FUNDUQ, launched by Pierre VAIANA (sop sax) in 2006, with Carlo Rizzo (tambourins), Zoumana Dembélé (djembé, tama), Fabian Fiorini (piano)
Around 2002 Hubert starts
a new composition cycle and has new projects as a leader:
- solo (double bass); CD Ultraboles released in 2005 (UBR 0501 / Nocturne);
- in 2004, he founds
DUPONT T, with the young pianist
Yvan Robilliard, and the drummer Chander Sardjoe. In 2006, indo-new-yorker saxophonist Rudresh Mahanthappa joins the band for the CD Spider's Dance (UBR 0502 / Nocturne)
- in 2005 he founds CRONO
CROMO, dedicated to improvised electronic music, with Stéfanus
Vivens playing keyboards, computer, sampler.
- in 2005 he founds NIGMA-E, dedicated to improvised electronic music, with drummer Eric Groleau.
" The best is yet to come
"
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